jiro dreams of sushi dvd extras

34 used & new from Start your 30-day free trial to stream thousands of movies & TV shows included with Prime. Start your free trial Jiro Dreams of Sushi [Blu-ray]DetailsTampopo FREE Shipping on orders over . Jiro Dreams of Sushi is the story of 85-year-old Jiro Ono, considered by many to be the world's greatest sushi chef. Despite its humble appearances, it is the first restaurant of its kind to be awarded a prestigious three-star Michelin Guide rating, and sushi lovers from around the globe make repeated pilgrimage, calling months in advance and shelling out top dollar for a coveted seat at Jiro's sushi bar. Jiro Dreams of Sushi is a thoughtful and elegant meditation on work, family, and the art of perfection, chronicling Jiro's life as both an unparalleled success in the culinary world and as a loving yet complicated father. Format: Multiple Formats, Blu-ray, Closed-captioned, Dolby, NTSC, Subtitled, Widescreen Region: Region A/1 (Read more about DVD/Blu-ray formats.)
Number of discs: 1 Studio: Magnolia Home Entertainment DVD Release Date: July 24, 2012 Run Time: 82 minutes Amazon Best Sellers Rank: #34,439 in Movies & TV (See Top 100 in Movies & TV)sushi grade fish san fernando valley in Movies & TV > Blu-ray > Documentarybuy inari sushi pouches in Movies & TV > Blu-ray > Foreign Filmssushi online bestellen oldenburg in Movies & TV > Blu-ray > Kids & Familyyo sushi voucher trafford centre Learn more about "Jiro Dreams of Sushi [Blu-ray]" on IMDbjiro dreams of sushi phoenix
The kind of movie you can watch again and again.Goes beyond the craft of sushi and into the journey of self-actualization. it is a beautiful, slow but very interetesting movie that provides a glimpse into the Japanese tradition of Sushi making.sushi taxi online chemnitz Interesting look into the world of sushi-making in Japan.jiro dreams of sushi cinematography Only one word for this movie: magnificent. It's a film about passion and dedication. A look into the spirit of Japanese culture. I Love Marketing's "Dean Jackson" said to watch it for a great example of true Entrepreneurial mind set... It was great from that perspective. Wonderful documentary of a master chef! Can't say enough good about this beautiful piece. Learn more about Amazon Giveaway
What Other Items Do Customers Buy After Viewing This Item? The Secret Life of Pets (Blu-ray + DVD + Digital HD) Look for Similar Items by Category Movies & TV > Art House & International > By Original Language > Japanese Movies & TV > Blu-ray Movies & TV > Blu-ray > TV Movies & TV > Genre for Featured Categories > Documentary Movies & TV > Genre for Featured Categories > Foreign Films Movies & TV > Genre for Featured Categories > Kids & Family Movies & TV > Indie & Art HouseJiro Dreams of Sushi is a remarkable act of empathy that’s been made in a direct, succinct manner that’s greatly appropriate to its subject. David Gelb’s documentary is the story of Jiro Ono, an 85-year-old Japanese man widely considered the greatest sushi chef in the world. Beginning his apprenticeship when he was 10, Jiro is now the proprietor of Sukiyabashi Jiro, a sushi restaurant tucked away in a Tokyo subway corner that seats only 10 diners at a time. Reservations, we learn early on, must be made a month in advance, and a meal, comprised solely of sushi, will run a minimum of 30,000 yin, or $350 at the time of the film’s shooting.
Gelb establishes in the first few moments that Jiro is cast from the kind of stern, unyielding mold that characterizes most Westerner’s notions of the old-school Japanese man. Speaking directly to the camera, Jiro tells us that a man must pick his occupation early on, and spend the remainder of his life trying to perfect it. Then we see Jiro in his restaurant, standing straight as a yardstick, inspecting a piece of sushi and advising on the depth of the chef’s slice. Jiro’s opening declaration of a man’s aim informs the entire film. Jiro, who’s in his restaurant at least 15 hours daily, with only a few holidays observed throughout the year, is an artist who isn’t outwardly given to superfluous gesture or existential torment. A person must find their talent and hone it and, after that, do the damn work. And Gelb, an American, admirably avoids the kind of editorializing that could result from an outsider’s point of reference. Jiro’s thoughts and actions are recorded directly and head on, and we’re allowed, with clarity that’s unusual for an American film, to see the process of someone doing actual day-to-day work.
Gelb shows us the picking of the fish and rice from the markets—run by people who are themselves considered to be masters of their craft—that Jiro deems to be worthy of his restaurant. We see the massaging of squid that’s necessary to work it into a desirably edible consistency. Even the rice, an ingredient many take for granted, requires special attention. Once the extensive preparation is complete and the presentation of the food is to commence, we see Jiro’s hands sculpting pieces of fish (this film will make foodies’ mouths water) with a speed and certainty that belie common American notions of the capabilities of a man his age. And the sushi is just a portion of the experience: We see Jiro surveying his diners, adjusting his serving methods to their gender, their speed of eating, as well as to their left- or right-handedness. An obsession like Jiro’s has a price, of course. Jiro has two sons who are both clearly haunted by their father’s past inattentiveness and unyielding pressure, as well as by his current status as a global legend.
Yoshikazu, the eldest, is expected to work under his father until he should, per Japanese custom, assume control of Sukiyabashi Jiro once Jiro retires or dies—a daunting expectation that, given Jiro’s reputation, almost damns Yoshikazu to comparable failure. Takashi, after decades of apprenticeship under Jiro, is granted his father’s blessing to open a more relaxed restaurant of his own that still mirrors Sukiyabashi Jiro. The loving but somewhat strained relationship between Jiro, Yoshikazu, and Takashi is the heart of the film, and it qualifies Gelb’s hero-worship a bit. In many ways, Yoshikazu arises as the tragic hero of Jiro Dreams of Sushi, as he’s a talented, diligent man who probably has the ability to have become a major figure in his own right given differing circumstances. That Yoshikazu never vocally acknowledges such possibilities, of course, is a testament to both the nature of his culture as well as Gelb’s own decency and tact, though the filmmaker saves a quietly heartbreaking bit for the very end.
Michelin’s inspectors, who turned Jiro into a culinary powerhouse when they awarded Sukiyabashi Jiro their coveted three-star rating, are said to have attended the restaurant three times. And Yoshikazu was their chef every time. Director/cinematographer David Gelb has made Jiro Dreams of Sushi in a clean, straightforward style that reflects the pared simplicity of Jiro's own methods. The whites are vibrant, the greens lush, and the sushi itself has been shot from a slight low angle to achieve a quality that feels nearly three-dimensional. The transfer sports a nearly flawless image that honors Gelb's immersive you-are-there approach. The sound mix is nearly as impressive, particularly in terms of preserving the subtlety of the film's soundtrack, which includes shrewdly chosen pieces by Tchaikovsky and Philip Glass. On their commentary track, director David Gelb and editor Brandon Driscoll-Luttringer manage to be conversational and personal while still providing an informative look at the process of making the film.