Florianópolis e regiãoBalneário CamboriúChapecó e regiãoCriciúma e região Martinália com o melhor do samba em Floripa. Lançamento do seu novo CD. Dia 20/01 ás 21h no CIC *Dia 20 de janeiro, Floripa vai curtir o melhor do samba ainda “+ Misturado”. Show de lançamento do novo CD Mart’nália “+ Misturado”, sexta-feira às 21h no teatro do CIC. De 140,00 por 68,90; * É pra juntar todo mundo mesmo! É tudo de bom, todos os sucessos juntos e misturados em uma noite especial de verão na Ilha. * Filha de Martinho da vila, ela já gravou e cantou nos seus shows muitas coisas lindas como Vinicius de Moraes, Djavan, Guilherme Arantes, Gilberto Gil, Zélia Duncan, Moska, Caetano Veloso, Arlindo Cruz, Ana Carolina, Chico Buarque; E agora no novo show vai trazer a mistura dos grandes sucessos de sua carreira, que compõe o novo CD. * Cupom válido exclusivamente para o Show: Martinália com o melhor do samba em Floripa. Lançamento do seu novo CD "Mart'nália + Misturado".

Dia 20/01 ás 21h no CIC; * Limite de 10 cupons por pessoa; * Os cupons devem ser TROCADOS pelos ingressos NO DIA DO ESPETÁCULO diretamente na bilheteria do Teatro Ademir Rosa - CIC a partir das 20h, mediante apresentação do CUPOM VANTAJOSO + Documento de identidade do comprador; * Ingressos Válidos para platéia superior do Teatro, os lugares são pré determinados pela produção do Espetáculo; * O não comparecimento ao espetáculo, IMPLICARÁ NO CANCELAMENTO DE SEU CUPOM; * Compras por boletos deverão ser pagas até o dia 19/01; * Não enviamos cupom por e-mail. O seu cupom estará disponível EM SUA CONTA do Vantajoso, após a aprovação da sua compra. Assim Mart’nália pode continuar o prazer em cantar e deslizar no palco! Enquanto vocês na platéia podem dançar, sambar e cantar junto! Dia 20 de Janeiro, às 21h no teatro do CIC, está todo mundo convidado!Classificação♦ Menores de 16 anos terão acesso ao evento somente acompanhados pelos pais ou responsável legal.

Vantajoso você ganha, todos ganham..."Submission may be the most relevant book of the year." ―Daniel D'Addario, Time"Houellebecq is considered a great contemporary author, and one cannot be said to be keeping abreast of contemporary literature without reading his work . . . sushi grade tuna las vegasWhat prevents me from reading Houellebecq and watching von Trier is a kind of envy ― not that I begrudge them success, but by reading the books and watching the films I would be reminded of how excellent a work of art can be, and of how far beneath that level my own work is." ―Karl Ove Knausgaard, The New York Times Book Review“The political elements of Submission are so comically exaggerated that it's hard to take them very seriously . . . sushi set online kaufenThis is the novel's big joke. sushi grade fish houston

It's designed to agitate the right by suggesting the right may have a point about the erosion of France's national culture, and to tweak the left by lending ironic credence to the right's fears . . . youda sushi chef on miniclipThe only time Houellebecq seems not to be joking is when Francois speaks about literature . . . buy sushi grade fish austinWhatever it says or doesn't say about Europe and Islam, Submission is a love letter to the novel itself.” ―Christian Lorentzen, New York Magazine“Houellebecq's recent work―especially The Map and the Territory, one of the finest novels of the 21st century―is elegant, sad, all the more discomfiting in that we never quite know how much subtlety to credit the author with. game online youda sushi chef

Houellebecq writes on shifting sands. But I think he might just be permanent.” ―Michael Robbins, The Chicago Tribune “In Submission, Houellebecq is no less afraid to foment than in previous works, but his audacity serves a purpose that may not be immediately evident. sushisamba london online bookingHis goal in this quasi-dystopian novel is to cast a light on contemporary French society and the deficiencies he perceives and to suggest that the future he predicts isn't wholly beyond the realm of possibility . . . A challenging satire that, at its best, is subtler than its author's reputation might lead you to expect.” ―Michael Margas, The San Francisco Chronicle“Houellebec's deadpan comedic edge . . . defies the reader to find the line between parody and philosophy . . . What Houellebecq has done in Submission is hold up a mirror to his readers. The charge is that he inflames animosity by depicting a Muslim-influenced France as something of which Europeans should be frightened.

But he puts readers and critics in the position of having to specify what exactly is frightening about this France.” ―S. Mark Heim, The Christian Century “Michel Houellebecq: butcher. Messy slaughterer of sacred cows. Disembowler of all modes of political correctness, from the myth of the modern male's respect for women to the laughable fiction of the liberal Westerner's respect for non-Western cultures. That's the story, anyway. Like most good stories, it isn't true, for the most part . . . [Submission] is a work of genius, sure―with Houellebecq that goes without saying. But it's not a slaughterhouse. It's a upper-middle-class supermarket, brightly but not harshly lit, stocked with sushi, expensive cheeses, organic vegetables, olive oils, and honeys. It's not food for thought. It's an empty stomach. It's utopia.” ―Micaela Morrissette, Bomb“The prose, which never fails to be consistent and accessible, continued to impress page after page . . . Perhaps the highest achievement of [Submission] is the way it manages to be a satire with a core of deep humanism running through it.” ―Popmatters“Extraordinary . . . if there is anyone in literature today, not just in French but worldwide, who is thinking about the sort of enormous shifts we all feel are happening, it’s [Houellebecq].” ―Emmanuel Carrere, Le Monde“A work of real literary distinction . . .

[Houellebecq] has been the novelist who has most fearlessly and presciently tackled the rise of Islamic extremism in recent years . . . He is a writer with a gift for telling the truth, unlike any other in our time – I’ve been consistently saying he is the writer who matters most to me for many years now. I’ve read Submission twice in the last week with ever growing admiration and enjoyment. There’s been no English-language novel this good lately. With Submission Houellebecq has inserted himself right into the centre of the intellectual debate that was already raging in France about Islam and identity politics . . . There is nobody else writing now more worth reading.” ―David Sexton, Evening Standard“Houellebecq has an unerring, Balzacian flair for detail, and his novels provide an acute, disenchanted anatomy of French middle-class life . . . Houellebecq writes about Islam with curiosity, fascination, even a hint of envy.” ―Adam Shatz, London Review of Books“[Submission's] moral complexity, concerned above all with how politics shape-or annihilate-personal ethics, is singular and brilliant . . .