The appropriately titled documentary I'll Sleep When I'm Dead, which chronicles the crazy busy life of DJ/producer Steve Aoki by offering a firsthand look into his world, debuted at the Tribeca Film Festival last spring to a sold-out audience. Today (Aug. 19), the film is available for viewing worldwide via Netflix. Justin Krook directed the documentary while David Gelb (both behind Jiro Dreams of Sushi) shares producer credits with Matthew Weaver (Rock of Ages), Happy Walters (The Big Lebowski, Limitless), and Matt Colon.Exclusive: Steve Aoki on 'Neon Future,' Working With Fall Out Boy & Trying to Live Forever The film, which shows Aoki as both a superstar on stage and a family man at home in Japan, was three years in the making and filmed during the production of Aoki's well received Neon Future. And while it follows the rollercoaster that is his career, it also offers insight into the loving yet rocky relationship he has with his father, founder of the restaurant chain Benihana.

The story comes full circle with the aid of interviews from family members as well as industry insiders and DJs such as Diplo, Tiesto, will.i.am, and many more. In support of the release, Aoki  participated in a Facebook Live Q&A today (Aug. 24), which was moderated by Katie Couric. You can tune watch it in full below.Additionally, be sure to check out the documentary's trailer:yasdnil's rating of the film Jiro Dreams of Sushi My favorite documentary of all time. Jiro's life is full of so much ambition, discipline, and accomplishment, but he never lets it any of his popularity get to his head. His work and technique are so simple, consistent, and truly artistic - very similar to this documentary. Get ready to feel hungry and inspired. roserine kenlew's rating of the film Jiro Dreams of Sushi This is absolutely one of my favorite documentaries. A joyful celebration of food-as-symphony without dipping into sensationalism. I love the dynamics between Jiro and his sons, the shots of the fish mongers, Jiro's story, and the tribulations of Jiro's apprentices.

Continues to improve as you rewatch it, so much so that I find myself dreaming of sushi, too. sehzadeika's rating of the film Jiro Dreams of Sushi Örnek şahsiyetleri izlemek işini yapan herkese zevk ve istek verir.. Jiro'da bu noktada alınabilecek güzel örneklerden biriymiş .. Yeniden işini sevmek ve başlamak isteyenlere tavsiye edilirshiki sushi online Zachary George Najarian-Najafi's rating of the film Jiro Dreams of Sushijiro dreams of sushi free online streaming Jiro Ono is one of those people who I would just love to sit down with in the afternoon and have a rambling conversation with long into the night. sushi milano ordina onlineI mean making sushi and analyzing movies are pretty similar. sushi rice cooker uk

Also, I no longer find the idea of eating raw fish icky. I need to go to Jiro's restaurant and try some sushi. I'd better book now. Mugino's rating of the film Jiro Dreams of Sushi Illuminating, gorgeous, mouth-watering but slightly incomplete debut effort from Gelb. Jiro Ono is a fascinating subject who reflects attitudes and a work ethic that seem nearly extinct. His sons, although fully-established themselves, are seen through the anxious eyes of the parent (the Ono women are conspicuously absent). Passing on time-honoured traditions has never seemed more tenous, essential, or affirming. La Schiff's rating of the film Jiro Dreams of Sushi at points it felt like an advertisement for his sushi restaurant (i would love to go!), but its also a wonderful in depth personal look at an interesting individual. gorgeous to watch, salivating of course. J. O.'s rating of the film Jiro Dreams of Sushi A beautiful little documentary that catches us Westerners up on Jiro Ono, the internationally acclaimed sushi chef.

The film is packed to the gills with gorgeous photography of sushi (being prepared and being consumed) as well as charismatic characters. Unfortunately, you can't help but think about the ludicrous nature of culinary pretension. But despite this, it's a wonderful little film about one man's legacy. Pedro Ponte's rating of the film Jiro Dreams of Sushi Strangely uplifting and insightful — a film about a sushi chef that also works as a neat metaphor for personal growth and the development of one's craft. Plus, 81 minutes spent looking at pretty foods are never really wasted. Prolific producer Ross M. Dinerstein (THE PACT, MR. JONES, THE DIVIDE) has launched a new venture – a multi-faceted film, television, digital content, commercial production, and post-production company called Campfire. Prior to launching Campfire, Dinerstein served as co-CEO of Preferred Film & TV (PFTV).  Over the last few years, he has focused his producing efforts on creating elevated “midnight movies” including THE PACT, MR. JONES, THE DIVIDE, and THE DAY.

THE PACT premiered in the Park City at Midnight Section at the 2012 Sundance Film Festival. IFC Midnight acquired the film in North America and released it theatrically in July 2012. The film was distributed theatrically in the UK by eOne where it grossed over $4M at the box office.  THE PACT 2 is currently in release in the U.S. and will be released all over the world over the next few months. Dinerstein also served as an Executive Producer on the hit documentary JIRO DREAMS OF SUSHI and the television pilot THE REBELS for Amazon Studios. Other films produced by Dinerstein include the 2009 Sundance official selection THE KILLING ROOM directed by Jonathan Liebesman and THE GRAND directed by Zak Penn. Dinerstein has a Master’s Degree in Motion Picture Producing from the USC School of Cinema and Television’s Peter Stark Producing Program and an undergraduate degree in Economics and Film Studies from Vanderbilt University. Visit the Campfire WebsiteTwo weeks ago I went and saw the film ‘Jiro Dreams Of Sushi‘. 

It’s a documentary about Jiro Ono, an 85 year old chef considered to be the world’s greatest sushi chef.  The movie is a beautiful piece and is really a study about what it takes to become a master artist.  In the film, a well-known Japanese food critic lists the attributes of what makes Jiro a master.  I thought they were a pretty good summary of what it takes to be an excellent producer/artist as well, so I wanted to share them.  1. He Takes His Art Seriously – This is, believe it or not the hardest part to being an artist. Most of us grow up in a world where we are told that sitting in an office and entering numbers into a computer is ‘serious’, but making a piece of music is just for fun or even frivolous. So when we desire to make music many of us,including myself, struggle with our inner parents/teachers/friends etc. who tell us that it’s just a phase until we get decide what we’re really going to do.  If you plan to be a producer/artist, change this attitude now.  

What you do us the most important thing in the universe.  You create beauty to give people joy, ecstasy or sadness. You give them the fleeting moments of their life to make them know what being human truly is. And in our journey on this plane, we need these spiritual moments as much as food or water to make this existence meaningful. 2. Willingness To Work Hard – This goes without saying.  I’ve been in NYC’s music scene for over a decade and the one constant that I’ve noticed is that talent is maybe 10% of the reason an artist does well.  Work ethic and perseverance is about 90%.  I really don’t believe in luck, except for the fact that you’re lucky to be be alive and in good health.  Otherwise you make your own opportunities. 3. Absolute Cleanliness – In ‘Jiro Dreams Of Sushi’ absolute cleanliness is considered a virtue, because if the restaurant was in the slightest bit dirty, it would impact the taste of the food.  In the world of production, absolute cleanliness is a virtue because it speeds your work flow. 

By cleanliness, it is not necessarily being able to do a white glove test on your console (although, if you can maintain that level of cleanliness in your space, your equipment will love you).  It’s about the organization of files, of projects, of sessions.  It’s about maintaining your tools in top working order.  All of this will unclog your workflow and let the creative spirit pass through you without interruption. 4. Command And Leadership – As a producer, especially as a DJ/producer or performer producer, you are in charge.  Even though this may not be the case in every project, there will come a time when you will have to take command of a project.  This doesn’t mean that you shouldn’t be a collaborator – all musicians should.  It means you should have a strong vision, be clearly competent and have the other necessary attributes of leadership – responsibility, punctuality and the habit of keeping commitments. 5. Impatience –  On one hand, patience is a virtue in music and art in that it takes time to practice, acquire skills and have them fully realize themselves.