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Une affaire de goût Nicolas, a handsome, young waiter, is befriended by Frédéric Delamont, a wealthy middle-aged businessman. Delamont, a man of power, influence and strictly refined tastes, is immediately ...
ichiban sushi menu winchester vaSee full summary » Shekvarebuli kulinaris ataserti retsepti The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the ... Four sommeliers attempt to pass the prestigious Master Sommelier exam, a test with one of the lowest pass rates in the world. The Search for General Tso Who was General Tso, and why are we eating his chicken? This feature documentary explores the origins and ubiquity of Chinese-American food through the story of an iconic sweet and spicy chicken dish. A veteran chef faces off against his restaurant group's new CEO, who wants to the establishment to lose a star from its rating in order to bring in a younger chef who specializes in molecular gastronomy.
A Matter of Taste: Serving Up Paul Liebrandt Paul Liebrandt is one of the most talented and controversial chefs in the food world and the youngest chef to have received 3 stars from the New York Times. NY Times food critic,... When a headstrong chef takes charge of her equally stubborn 8-year-old niece, the tensions between them mount... until an Italian sous-chef arrives to lighten the mood. In a remote 19th-century Danish village, two sisters lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one ... The story of the early days of California wine making featuring the now infamous, blind Paris wine tasting of 1976 that has come to be known as "Judgment of Paris". A documentary on 85-year-old sushi master Jiro Ono, his renowned Tokyo restaurant, and his relationship with his son and eventual heir, Yoshikazu. Maybe your computer is infected by virus and you need to check it for malware.
You use a variety of programs/scripts that automatically collect or post information on the site SoftArchive Your activity on the site associated with commercial activities outside the scope of the Agreement with SoftArchive. You are using a public proxy server We are getting too many requests from your IP-address. IP of your computer is part of a botnet We encourage you to check your computer for viruses, because our system is tracked too high flow of requests from your address (spam, collecting personal information of users, etc.). Trying access to SoftArchive via fake website Actual URL of SoftArchive: Fake sites may harm your computer! Check url in your browser! 6.6/10 - 5 votos, 33 Puntos 27 Abril de 2012 German, French, English, Thai, Japanese, Spanish, Bengali 2 premios y 4 nominaciones. Emma, Ning, Toh, Wat Sinopsis de Whores’ Glory (2011) Mirada desafecta sobre la prostitución, rodada en Tailandia, Bangladesh y México, que fue galardonada con el Premio Especial del Jurado en la sección Horizontes del Festival de Venecia.
La historia de los Pink.. El cine según Dalí Al sur de la frontera Mark zuckerberg dentro .. JFK: Siete dias que for.. El Hombre Con 7 Segundo.. Tras los tesoros robado.. Las cárceles más dura.. Sargento, ¿a qué esta.. Consumo, el imperio de .. Iceberg Slim: Retrato d.. Viaje a los limites del..First, a funny meta story: For many weeks, a Friend of the PPCC had been badgering the PPCC to go get a pedicure, since the local pedicurist kept telling the friend that the pedicurist had a Shashi movie for the PPCC. Long ago, the PPCC had gone for a pedicure, and, oh, the fun we had, discussing Shashi this and Shammi that. Anyway, the PPCC was skeptical - a Shashi movie we had not yet seen? But today the pedicurist delivered (and how!): a double-whammy of Shashi/Rekha films, including Gulzar's notable Baseraa and the Shashi-Rekha-Pran Do Musafir. One, a movie with a thoughtful, early 80s Vijeta-era Shashi, all greying temples and wormy moustache (YEAH! we love that look!).
The other, 1978 and including PRAN. Could it get any better?!No, it clearly cannot get any better. Shashi and Rekha are fab! And remember Koncam Koncam?! By the way, India Weekly: it's been a month now, and we are still waiting on Vijeta. The real review: First of all, large kudos to Gulzar for tackling a thorny, oft-mishandled subject - mental illness - with sensitivity and sympathy. Baseraa is a quiet, unassuming movie that instantly appeals by combining (1) the painful emotional ironies of your standard, squishy masala dil with (2) interesting variation, intelligence and maturity. It reminded us a lot of Masoom, in that it was a naturalist portrayal of domestic life gone horribly awry. Also, like Masoom, the narrative structure was like an onion: as things progressed, important points were revealed, layer by layer. This was in startling contrast to the usual 1970s masala convention of beginning immediately on a prologue/info dump. Baseraa, instead, often teases you with allusions to unknown past events which are only later explained.
Despite our love of straightforward, populist masala, we at the PPCC are actually BIG BIG fans of zero exposition. We like to work for our narrative. Hence, we were lovin' Baseraa.Have Rekha and Rakhee been in anything else together? With some angst, plz.The story follows the your usual happy family clearly on the way to destruction. There is, as per usual, the jolly father, Balraj (Shashi Kapoor), the good-humored mother, Nima (Rekha), and their two sons, Sagar (Raj Kiran, who played Shashi's romantic rival in Bezubaan released the same year) and Babbu (Master Vikas). Sagar is now of marriageable age, and he has fallen in love with the pretty, smart med student Sarita (Phoonam Dillon). Sarita is clearly your Perfect Daughter-in-Law, and in one sweet scene, she stuns the family by singing early morning pooja. The parents heartily approve, and all seems well.There's even a children's song, like the one in Masoom.However, already there are cracks in the perfect façade. It is revealed that the mother of Sagar is actually Sharda (Rakhee, real-life wife of Gulzar) - Balraj's first wife, Nima's older sister.
Fourteen years ago, it seems Sharda had been having psychotic episodes. Eventually, she had to be taken to the local asylum. The family still grieves for Sharda, and they are in close contact with her doctor, Dr. Gokhale (Iftikhar, who is always in everything!). Sharda has recently had a minor accident in the asylum. When she recovers, however, her mental illness seems to have dramatically improved, and Dr. Gokhale decides to try to continue the improvements by sending her home to heal. He informs the family, however, that Sharda's mental health is fragile, and so no big emotional shocks, please. Ergo, Balraj and Nima must revert to their roles from 14 years earlier: Balraj as Sharda's husband, and Nima as a widow. The rest of the film watches this impossible drama unfold.There is much angst, as you'd expect.Which is juxtaposed nicely against flashbacks where everyone was a lot happier. Rekha, in particular, is so much fun when she's allowed to be a bit crazy! (e.g. her Punjabi disguise with Amitabh in Suhaag!)
The weakest point of the film, for us, is the somewhat tenuous tension. Sharda's mental illness is never specified, and Dr. Gokhale's advice that everyone must pretend it's fourteen years ago is a little hard to believe. Sure, it must suck to be Sharda, when your sister has wed your husband, but we couldn't really imagine her going demented over it - at least, the movie seemed far too realistic to resort to such a filmi convention. Another weak point was the misguided use of whatever drum that was. It was your standard comedy slapstick drum sound, but they kept using it whenever they needed to emphasize a tragic point.Nonetheless, the film was so well done in other ways that we overlooked the kind-of-silly plot idea and the drum. Rekha, Rakhee and Shashi all gave good, honest performances - in other words, they were in their 'Parallel Cinema' modes, which we love! But the best aspect, for us, was the portrayal of Sharda's mental illness. Rather than exploiting it for laughs or demonizing it, Sharda's illness is portrayed as just that - an illness.
In one poignant scene, Balraj loses patience with Sharda, and she reminds him that she never wanted to be ill, and she hates it as much as he does. Another effective scene is in a brief flashback, when Balraj and Nima remember the day Sharda was taken away. In a very long tracking shot from the bedroom, down the stairs, to the living room, the camera follows the tumult as hospital workers restrain Sharda, while her husband and her doctor try to calm her. It's very painful to watch, and thankfully it is presented honestly and straightforwardly, with little melodramatic embellishment. The most painful scene, done with a great tracking shot.Poor all of you!The songs were mostly OK, with our favorite being the one where Balraj remembers his life with Sharda. It had a lovely haunting quality, relying mostly on Lata's voice and the piano. But we don't feel confident to judge the songs or the dialogue, since Gulzar is always lauded as being such a poet, and yet we can't understand Hindi all that well (and our subtitles kind of sucked too).