Jiro Dreams of Sushi (2011) 26 July 2012 (Singapore) See full cast & crew » See more awards » 260 news articles » Four sommeliers attempt to pass the prestigious Master Sommelier exam, a test with one of the lowest pass rates in the world. Chef's Table goes inside the lives and kitchens of six of the world's most renowned international chefs. Each episode focuses on a single chef and their unique look at their lives, talents and passion from their piece of culinary heaven. While examining the influence of the fast food industry, Morgan Spurlock personally explores the consequences on his health of a diet of solely McDonald's food for one month. The Search for General Tso Who was General Tso, and why are we eating his chicken? This feature documentary explores the origins and ubiquity of Chinese-American food through the story of an iconic sweet and spicy chicken dish. An unflattering look inside America's corporate controlled food industry.

A documentary about three unique restaurants and their respective owners. Cast overview, first billed only: See full cast » In the basement of a Tokyo office building, 85 year old sushi master Jiro Ono works tirelessly in his world renowned restaurant, Sukiyabashi Jiro. sushi garden menu modestoAs his son Yoshikazu faces the pressures of stepping into his father's shoes and taking over the legendary restaurant, Jiro relentlessly pursues his lifelong quest to create the perfect piece of sushi. sakae sushi order systemSee All (20) »sakae sushi menu and price See all certifications »sumo sushi menu newbury park

Add content advisory for parents » Release Date: 26 July 2012 (Singapore) Also Known As: Jiro e l'arte del sushi Sukibayashi Jiro - Tsukamoto Sogyo Building Basement 1st Floor, 4-2-15, Ginza, Chuo, Tokyo, Japan See full technical specs »sushi chef online kostenlos According to a well-known legend in the Kazuchi District, sushi was invented in the 15th Century by renowned monk Muziguchi (1412-1474). sushi tei bali promoDuring the third Kubaki revolts, he was wounded while traveling and left for dead by his companions in a forest with only some cooked rice in a bag. mac sushi kiss limited editionMuziguchi stumbled upon a freshly dead dog. Driven by hunger and fighting for survival, he cut the dog open and placed small pieces of raw flesh on rice.

Back in Kyoto, he replaced the dog meat with fish meat (salmon, tuna and meal) and convinced his fellow monks to taste it. Sushi's popularity spread in Kyoto and soon in the entire medieval Japan. I've never once hated this job. I fell in love with my work and gave my life to it. Even though I'm eighty five years old, I don't feel like retiring. That's how I feel. In the Special Thanks section, "The Tsukiji Fish Market" is listed twice. Edited into Independent Lens: Jiro Dreams of Sushi (2013) Composed and Produced by Rye Randa and Jeff Foxworth aka The Ontic See more » This FAQ is empty. Add the first question. What other food documentaries would you reccomend? so I guess it's not true about smoking and sushi chefs Mizutani also has 3 stars from Michelin Takashi not in credits? How did they know Do you like your job? Discuss Jiro Dreams of Sushi (2011) on the IMDb message boards » Contribute to This Page Jiro Dreams Of Sushi Director: David Gelb Genre: Documentary Running Time: 81 minutes Rated PG for mild thematic elements and brief smoking With: Jiro Ono, Yoshikazu Ono In Japanese with subtitles

A bite-sized view of Japanese culture, Jiro Dreams of Sushi, is nearly as meticulous as its subjects, Jiro Ono and his Tokyo restaurant. The movie's first word is oishi, Japanese for "delicious," and what follows is a treat for sushi veterans. First-timers, however, may wish for a little more context. The crux of David Gelb's documentary can be expressed in numbers: Ono still works daily, although he was 85 when the movie was shot in 2010. His top-priced restaurant, Sukiyabashi Jiro, has but 10 seats, yet earned three Michelin stars. Small restaurants are common in Japan, as are family-run businesses like Ono's. But most modestly sized Japanese eateries don't draw gourmets from around the world, or charge upwards of $300 (depending, of course, on the exchange rate) for a 30-minute meal. Ono's is a tale of discipline, ritual and obsessiveness, all of which are characteristic of Japanese craftsmen — especially the ones who had to rebuild their country and their lives after World War II.

For Ono, who as a young boy was abandoned by his father, hard times started well before American bombs began falling on his homeland. Two of the movie's main supporting characters, Ono's sons, have a somewhat different perspective. They never experienced the deprivations that still motivate their father. But both have accepted Dad's profession and techniques. The older, Yoshikazu, is second-in-charge at the original restaurant, in the basement of an office building in the upscale Ginza district. He will replace his father when — or should that be if? — the old man retires. Takashi, who seems to have gotten the better deal, runs a more affordable branch of Sukiyabashi Jiro in Roppongi, a less staid Tokyo neighborhood. Gelb sometimes takes his digital camera outside the two restaurants, although only once to document a personal trip. The movie's chief off-site destination is the city's massive, bustling Tsukuji market. Yoshikazu once dreamed of being a race-car driver; now he dutifully bicycles to nearby Tsukuji every morning to buy fish.

The family's dealings with merchants are revealing. Jiro Ono may appear to be the ultimate traditionalist, yet the left-handed sushi master sees himself as something of a maverick. The Onos buy from a demanding tuna dealer who's considered "anti-establishment." When Ono and a rice merchant discuss the worthiness of certain clients, the two sound more like cultists than connoisseurs. The movie's guide to such culinary arcana is Masuhiro Yamamoto, a restaurant critic who occasionally slips into English for such words as "perfectionist." It's Yamamoto who oversees a meal that was arranged for the movie. Gelb didn't shoot during regular business hours, so the film lacks the spontaneity and serendipity of cinema-verite documentaries. The restaurant's course order is "like a concerto," we're told, and Gelb choreographs food-preparation sequences to the music of such methodical composers as Bach, Mozart and Philip Glass. The accompaniment is obtrusive at times, but its precise structures suit the movie's tidy outlook.