A once in a lifetime opportunity to be a part of the Singapore Book of Records. Join the nation's largest gathering of cosplayers in Golden Village Plaza. Dress as your favorite character and make history! Singapore, 4 August 2016 – Golden Village aims for the record books in what promises to be the largest gathering of cosplayers in Singapore's history. On 11 August, GV is calling on all anime fans to come dressed as their favourite character for the Singapore Book of Records—an event that all fans should not miss! The event, which aims to unite all fans and celebrate Japanese pop culture, will feature the screening of , the 13th movie from the franchise. First gaining prominence as a manga, was first published in the magazine in July 1997, and has since then spawned a television series, video games and several successful movies that have been warmly received by fans all over the globe. The fascination reaches fever pitch this summer with the release of , which sold as much as 1.7 million tickets in Japan in nine days, surpassing the box office performance of some of the biggest Hollywood movies.

The film, which captures the Straw Hat Pirates as they battle a new nemesis, has been screened in more than 740 cinemas, the biggest for any Japanese film to date. Golden Village pulls out all the stops to welcome the arrival of the film on our shores by inviting all fanatics to this cosplay event, to be held at Golden Village Plaza. Fans can buy tickets for $58 (GV Movie Club Members) and $62 (Public), giving them the opportunity to watch the movie as well as receive limited edition movie merchandise such as a T-shirt, porcelain mug and mobile phone chip strap. A reminder—only fans who are dressed as characters will be allowed entry, so be sure to dress in your best costumes before heading to GV! You can be Luffy, Roronoa Zoro, Nami or anyone from —take your pick! This is a once-in-a-lifetime chance to be part of history, so buy your tickets now. .sg or via the iGV app, which is available on iPhones and Android. You can also drop by any GV cinema to buy tickets. The Straw Hat Pirates set sail and land in Gran Tesoro, an independent country that serves as the homemof the world's greatest entertainment city, a place where well-known pirates, marines, and millionaires throughout the world gather in an ‘absolute sanctuary’ that even the World Government can't touch.

It is in Gran Tesoro that the Pirates meet the ruler of the country, the golden emperor Gild Tesoro, a powerful and ruthless man allied with pirates, marines, and even the World Government. where to buy sashimi grade fish in dcHe is about to take action to satisfy his bottomless ambition which may result in major changes in the New World.comprar sushi online buenos aires About Golden Village Multiplexhow to make sushi rice with mirin Golden Village Multiplex Pte Ltd is Singapore's leading cinema exhibitor with 11 multiplexes housing 91 screens with locations at Yishun, Bishan Junction 8, Tiong Bahru Plaza, Jurong Point, Tampines Mall, Great World City, Plaza Singapura, 112 Katong, City Square and VivoCity, home to GV's flagship cinema and Singapore's only megaplex. sushi grade tuna portland oregon

In November 2014, Golden Village opened GV Suntec City, housing eight auditoriums and three Gold Class halls with a total capacity of 1,390 seats.sushi tei bali map Golden Village was established to develop and operate modern, luxurious multiplex cinemas and is the first local cinema company to personalise the movie-going experience through its Movie Club program. order sushi in corkThe prime mover in the introduction of the multiplex to Asia, Golden Village's first imprint in Singapore was made on 28 May 1992 with the successful opening of the Yishun 10 cinema complex. jiro dreams of sushi blu ray best buyToday, GV has a reputation of offering the widest choice of movies, unparalleled comfort, state-of-the-art design, prime locations and convenience.

Additionally, GV constantly upgrades its IT capabilities to enhance the consumer experience with notable recent additions such as Quick tix®, its iGV app and the auto-gate system. Established in 1993, (GVP) is Singapore's leading independent film distributor, releasing a wide range of blockbusters such as THE EXPENDABLES 2 and the SHERLOCK HOLMES series to Asian delights including JIRO DREAMS OF SUSHI, THE FIERCE WIFE and TAICHI HERO. GVP is also the top distributor for home-grown films including TATSUMI, IMPERFECT and AH BOYS TO MEN. Press Release homepage / archivesSkip to main content You are hereHome / Explore film & TV / Sight & Sound magazine / Sight & Sound issues Sight & Sound: the February 2013 issue Our February issue comes bulging with controversial takes on American history, recent and not too recent. Our cover star Jamie Foxx is the ex-slave who takes the reins in Quentin Tarantino’s highly entertaining western remix Django Unchained – and turns Eastwood’s Man with No Name on his head with gobbets of Tarantino oratory and humour, as Kim Newman explores.

Mailed to subscribers4 January Digital edition available7 January → Sign up / log in On UK newsstands8 January Across the picket fence, meanwhile, Steven Spielberg ventures his first biopic with Lincoln, with Daniel Day-Lewis as the iconic president leading the charge to the abolition of slavery; Graham Fuller ponders the film and its critics. Meanwhile, fast forwarding to 2011, Kathryn Bigelow’s Zero Dark Thirty affects a ‘boots on the ground’ procedural-thriller style in dramatising the hunt for Bin Laden, prompting Michael Atkinson to finger “a kind of all-American sociopathy usually… relegated to game-equipped suburban basements.” Leaving the American crucible behind, Trevor Johnson talks to Ireland’s great chronicler Lenny Abrahamson about What Richard Did, his new portrait of Dublin’s stockbroker belt. With a major Roman Polanski retrospective underway at the BFI Southbank, Philip Horne essays the director’s command of the grotesque, while Michael Brooke revisits Polanski’s Polish apprenticeship and Charles Barr recounts his collaboration with Kenneth Tynan on 1971’s Macbeth.

And in our Deep Focus primer section, Nick James spotlights 12 21st century films noir that revitalise the noir formulae for our new century. And that’s just our features… COVER FEATURE: Black rider In Django Unchained the two strands of the spaghetti western – the blood-soaked revenge saga and the jokey pastiche – are twisted together by Quentin Tarantino, with a modern seasoning of racial politics. But unlike Clint Eastwood’s Man with No Name, these westerners talk – a lot. PLUS Tim Lucas on Django Unchained’s roots in a whole range of 1960s and 70s exploitation films dealing with race. Hollywood didn’t get to grips with the Vietnam War until years after the event. In our rolling-news age, Kathryn Bigelow’s Zero Dark Thirty arrives only 18 months after the bin Laden kill mission it depicts. But is such haste at the expense of perspective? Steven Spielberg’s Lincoln, the story of the president’s struggle to pass the abolition of slavery before the end of the Civil War, has attracted praise in the US – and criticism for its white perspective.

But how does the film – the director’s first biopic – fit into the Spielberg oeuvre? Lenny Abrahamson’s two critically fêted films Adam & Paul and Garage examined the underside of Irish society. But What Richard Did, the director’s latest, sees him switch his attention to Dublin’s stockbroker belt to reflect on the fate of the Celtic Tiger. Polanski and the grotesque Violence and humiliation, sexual excess and transvestism, absurd humour and the transgression of taboos – Roman Polanski’s films, showcased in a BFI Southbank season, are laced with grotesquerie. But their power relies on a carefully crafted sense of reality. PLUS Michael Brook on Polanski in Poland and Charles Barr on his work with Kenneth Tynan. The crucial elements of film noir – violence, sex, memory and identity – remain as germane to today’s leading filmmakers as to last century’s, argues Nick James. Michael Koresky celebrates the tone of effortless ease at the heart of screwball.

Object Lesson: Hannah McGill on film’s troubled treatment of changes to gender. First Sight: Anton Bitel talks to Jen and Sylvia Soska about American Mary. Dispatches: Mark Cousins on the architecture of Amour. Development Tale: Charles Gant on the long gestation of The Liability. The Numbers: Charles Gant reviews the year’s arthouse fortunes. How It Works: Ashley Clarke on Gone Too Far, an innovative inner-city British comedy. Profile: Nick Roddick talks to Russian film ambassador Catherine Mtsitourisze. Nick James on Morelia’s unique charms. James Benn reports from Tokyo and Simon Merle from Rome. Brian Dillon previews the first UK survey of video artist Gerard Byrne. Soundings: Frances Morgan on the innovative soundtrack of Performance. Primal Screen: Matthew Sweet pays tribute to the first four-legged film stars. Gonzalo de Lucas celebrates the heartfelt film criticism of Serge Daney. Carlos Losilla finds fascinating signposts to new directions at Seville.

Bradlands: Brad Stevens asks what musicians offer when they make films. Lost and Found: Chris Darke on Chris Petit’s knowing neo-noir Chinese Boxes. Kieron Corless investigates the new currency of the newsreel format and hears from three filmmakers embracing its potential: Jem Cohen, Sylvain George and Alex Reuben. PLUS: Rebecca Vick on the history of the newsreel; Films of the month You Ain’t Seen Nothin’ Yet Other new releases reviewed in this issue Bullet to the Head The Hobbit  An Unexpected Journey Hyde Park on Hudson I Give It a Year Jiro Dreams of Sushi A Liar’s Autobiography The Untrue Story of Monty Python’s Graham Chapman May I Kill U? Philip Kemp on René Clément’s early promise. Kate Stables discovers Pathé’s early colour ‘fairy film’ fantasias. James Blackford has his appetite whetted by Zombie Flesh Eaters. Les Amants de Montparnasse In the Mood for Love Purple Noon (Plein Soleil)

W+B Hein: Materialfilme 1968-1976 Luck – Season 1 The Prime of Miss Jean Brodie Kevin Jackson hails the loquacious charms of Richard Burton’s diaries. Jasper Sharpe pries the lid off North Korean cinema culture. Kim Newman assesses Taschen’s mammoth tome from the 007 files. Ian Christie appraises a collection of essays on early cinema. David Jenkins on Big Night. Buy a Sight & Sound subscription Film of the week: Django Unchained Duty calls: Zero Dark Thirty Film of the week: Antiviral Film of the week: Bullhead Film of the week: The Hobbit An Unexpected Journey Film of the week: I Wish Film of the week: Lincoln Film of the week: What Richard Did The Digital Edition and Archive quick link Log in here to your digital edition and archive subscription, take a look at the packages on offer and buy a subscription. You are hereHome / Explore film & TV / Sight & Sound magazine / Sight & Sound issues