Dinner for two will cost over $1,300. Tipping will not be accepted.Netflix Australia launch will ruin your life Free to air networks have the most to fear from the arrival of Netflix on March 24 according to Darren Davidson. Taylor Schilling as Piper Chapman in Netflix series Orange is The New Black.Kevin Spacey in House Of Cards. Picture: Nathaniel Bell123Netflix is about to ruin your life.The streaming service launches in Australia tomorrow and it will be the best and worst thing that ever happens to you.For only $8.99 a month you’ll be able to access some of the world’s greatest TV shows, documentaries and films (alongside plenty of filler), 24-7. Over 57 million members across nearly 50 countries notch up more than two billion hours of viewing each month. And it’s one of several moves here into on-demand video streaming alongside Foxtel’s Presto (part owned by News Corp) and Stan (Nine Entertainment and Fairfax).Related: Netflix vs. Quickflix, Presto and StanBut — SPOILER ALERT — there is no Netflix Anonymous group available for when it consumes your every waking moment.

Here’s what to expect:1. You’ll become a hermit. There is now no reason to ever leave the house (or House for that matter, the multi-award-winning medical drama starring Hugh Laurie and rumoured to be in the Australia package).2. With entire back catalogues available, there is no waiting a week for the next episode of a show. ‘Just one more …’ will become your mantra, and before you realise, it’s 3am on a school night and you’re halfway through series two of Orange Is The New Black.3. Binge watching means binge eating, and only food that you can shovel into your mouth without taking your eyes off the screen will do. And while having no adverts is great, you’ll only press pause for the most urgent of bathroom breaks.4. You’re ‘busy’ every evening and only colleagues at the water cooler who’ve seen THAT sushi documentary (Jiro Dreams of Sushi) are worth talking to. Plus anyone on Facebook that’s even an episode ahead of you on Homeland needs deleting, immediately.5.

Thanks to Wi-Fi and pillows, the bedroom is now nothing but a home cinema, and your partner will soon realise they can never love you as much as unlimited movies can. genki sushi menu chinoDon’t worry, there’s a whole rom-com section to help you through it.6. sushi conveyor belt virginiaYou’ll use up all your data. jiro dreams of sushi blu ray ripNetflix uses 1GB per hour for each stream of standard definition video, and up to 3GB per hour for each of HD. sushi bazooka buy onlineThere are 121 episodes of Lost. Get an unlimited plan sorted, quick.7. You’ll be haunted by Kevin Spacey. Netflix’s very own political drama House of Cards is a classic — and your first must see.

But the drawl of Spacey’s Frank Underwood will take over your inner monologue for ever more.Australia, you’ve been warned.Kate Sullivan is a Senior News Producer at The Australian. She left the UK behind (along with her Netflix subscription) last year The Internet’s Own Boy The Salt of the Earth Marina Abramović: The Artist is Present Page One: Inside the New York Times Reviews Jiro dreams of Sushi Prachtige docu over hoe streven naar perfectie in de Japanse cultuur is ingebakken.Niet alleen voor Sushi liefhebbers een must om te kijken.Erg meeslepend en intrigerend. Zeker de moeite waard. Een zeer vermakelijk DVD'tje, het (postieve) vooroordeel van hardwerkende Japanners kan je de hele film boeien. Had graag nog wat meer diepte gezien, bv. het uitlichten van verschillende soorten sushi van Jiro en andere topchefs die over Jiro praten. Dvd, 1 disk, speelduur 80:00 minuten Je vindt dit artikel inVoor 23:59 uur besteld, morgen in huis

Kies zelf de bezorgdag Ma t/m vrij voor 12:00 uur besteld, dezelfde dag in huis (nu voor € 1,99) Avondbezorging op ma t/m vrij (nu voor € 0,99) Bekijk alle Select bezorgopties Gratis verzending vanaf 20 euro 30 dagen bedenktijd en gratis retourneren Dag en nacht klantenserviceLaat het voor je inpakken en bezorgen Bekijk en vergelijk alle verkopers QFC: EAT DRINK MAN WOMAN Best Exotic Marigold Hotel Smaak Van De Ziel, De Sergio Herman - Fucking Perfect (Nl-Only)I recently saw the documentary Jiro Dreams of Sushi .  If you haven’t seen it, the film is about a sushi chef in Japan.  This guy’s been making sushi for 70 years, and he’s got a restaurant that get’s booked months in advance.  It’s a cool story but the whole thing is in japanese.  Now, my japanese is a bit rusty but the good news is the whole movie has subtitles. About half way through the film I had a little training and development light come on for me.

It took a while for me to clue into what was happening, but I finally realized that I hadn’t taken my eyes off of the screen for a second.  I was trying to fold laundry, couldn’t do it.  I had to step out of the room for a second and I had to pause the film.  You want to talk about engagement! Because of the subtitles (no english voice over) I literally could not take my eyes off the screen for fear of missing part of the story. Everyday we host live and webinar style training sessions and you and I both know that people’s attention tends to wander.  On a good day, even when we’ve all taken our med’s, it’s had to pay attention.  So how did this sushi shogun do it?  Slap some subtitles on it, and boom! Wouldn’t it be nice if it were that easy? They gave me two incomplete stories.  I could watch the screen, ignore the subtitles and take a guess at what was going on, but if it was a talking-head interview section, I was screwed.  And just listening wasn’t an option at all.  

I had to watch and read to see what was happening. Some people don’t like subtitles.  If you’re reading you miss the action. There weren’t a ton of fight scenes, explosions, or slight of hand so I was able to keep up just fine. If it were an action movie, and it had english voice over, I would be able to absorb the story through my ears and be tempted to leave the room, bringing us back to a lower level of engagement. So, what, we should do all trainings in japanese and only provide english subtitles? No, don’t be ridiculous. And don’t put words in my mouth, it’s rude.  I’m saying that we have to have interesting content, and provide different portions of the story through each sensory avenue (taste excluded).  If everything that comes out of our mouth is on the slide, they can tune us out and rightly, so. Frankly, if I attended a session where I was read to, which I have (and I’ve hosted.  I know, I know…) I would be less than thrilled. 1.  Know your content.  

Have examples to provide and give back stories.  We should be able to expand on each idea and land it back to the learners everyday life. I’m always trying to step my game on this and the more homework we do the easier this gets.  Read blogs and books, get comfortable with the technology, talk to experts and people that use it every day. 2. Take every non-essential word off of the slide.  (I had to try really hard to use expletives there.) Get’s me all fired up! Why do people care what we say if they can read it for themselves?  If we aren’t adding anything of value, we have no business asking them to spend the time to listen to us drone on. So unless we get paid by the word, let’s boil each sentence down to bare bones.  We should be able to provide the context and colour commentary.  If there is nothing going on on the screen and you keep on talking, they no longer need to look at the screen. Back to lower engagement. Information that isn’t repeated.  That’s a winner, right there.

3. Use relevant visuals.  If it’s a reasonable alternative, use graphs, workflows, diagrams and the like.  This goes back to the Dual Code theory, a visual and audio/text representative of the same concept.  I was getting different information from the subtitles than I was on the screen.  For my money, if you can demonstrate something live, make it happen.  If you were the one listening/viewing how would you stay engaged? As a trainer, only highlight and cover one piece at a time, then move on.  “Let’s start with this section right here…” Oh , wait, where is he? 4. Make it interesting. Sometimes a sow’s ears is a flappy piece of pig skin, but, I don’t know, toss in an earing, maybe a funny hat, OR! Tie it back to the learners actual life.  How can it help them, how can they directly benefit from this session. What’s in it for them. The puchline here is everything you present and provide should be essential and to use different channels.  Transmedia storytelling emobides this really well.